About 173 minutes
Legends of the City of Mexico — Reading Notes
Folklore
39,774 recorded words. 7 minutes difference from this book's estimate.
View Gutenberg source #45852The source record for Negro myths from the Georgia coast, told in the vernacular — A Reader’s Guide measures this digital text at 41,388 words, 3 hr estimated reading time, and 66 detected text sections.
The text analysis averages about 17.6 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Animals -- Folklore,” connecting these edition facts with the source record’s subject description.
Explore this collection
These alternatives are selected using recorded categories and estimated reading time.
About 173 minutes
Folklore
39,774 recorded words. 7 minutes difference from this book's estimate.
View Gutenberg source #45852About 169 minutes
Folklore
38,849 recorded words. 11 minutes difference from this book's estimate.
View Gutenberg source #76982About 192 minutes
Folklore
44,102 recorded words. 12 minutes difference from this book's estimate.
View Gutenberg source #28990Search stored excerpts and compare books → Choose by your preferences →
Choices use stored catalog measurements. Estimates vary with reading speed. A shared category is a catalog label, not a claim that two books have the same argument or literary quality.
Search reads excerpt text stored with this catalog and links to its associated Gutenberg record. The connection is stored in the site database; this tool does not recheck that every excerpt is word-for-word identical to that external record. Excerpt search does not cover every chapter and does not verify historical publication dates.
Catalog snapshot checked: 2026-09-25. Coverage: 91 public books, 91 available source excerpts.
Read the complete public-domain text at its original source.
Read on Project GutenbergCharles C. Jones Jr.'s Negro Myths from the Georgia Coast, Told in the Vernacular preserves a distinctive body of Gullah folktales from the rice-field and sea-island regions, a dialect and folk tradition he notes as materially different from the interior Georgia tales collected by Joel Chandler Harris. The prefatory remark emphasizes that these stories, often repeated before the war, were already lapsing into oblivion by 1888. The collection's 66 sections feature recurring animal characters—Buh Rabbit, Buh Wolf, Buh Alligatur, Buh Elephunt—in narratives driven by deception, revenge, and survival.
Buh Rabbit dominates the collection as a trickster who wins through cunning rather than strength. In one tale, he retaliates against Buh Elephunt for crushing his children by stuffing dry leaves and grass into the elephant's ears and setting them alight, leaving him with permanently floppy ears. The rabbit's revenge is brutal and final. Elsewhere, he tricks Buh Wolf out of turtle eggs by feigning concern: he claims the eggs gave his wife colic, then retrieves them after Wolf throws them away. When caught red-handed eating the eggs, Rabbit escapes up a persimmon tree, then bribes Buh Possum with sweet fruit to abandon his guard post. The stories rarely moralize; instead, they reward quick thinking and punish gullibility, with Buh Wolf often left "bex eh dunno wuffer do."
The tales are anchored in the specific ecology of the Georgia coast: rice fields, riverbanks, marshes, and sea islands. Characters hunt "Cooter agg" along the riverbank when the tide is high, and Buh Alligatur never sleeps far from the river bank. The dialect is rendered phonetically, with features like "duh" for "doing," "enty" for "ain't it," and "tek" for "take." Jones's prefatory note explicitly contrasts this "sui generis" lingo with Middle Georgia dialect. The stories also incorporate local flora—pussimmon trees, dry leaf and dead grass—and fauna such as mash-hens, king crabs, and porpoises, grounding the narratives in a recognizable landscape.
A recurring structural pattern involves a character being tricked, then seeking revenge, which in turn escalates the conflict. In the turtle-egg episode, Buh Rabbit's initial theft leads to a chase, a tree standoff, and the duping of Buh Possum. The cycle often ends with the trickster escaping punishment, leaving the dupe to vent frustration. The tales also feature layered deceptions: Rabbit uses false sympathy, bribery, and distraction to achieve his ends. The narrator occasionally comments dryly, as in "Eh tek a smart somebody fuh head Buh Rabbit," acknowledging the trickster's superior intelligence. These patterns suggest a worldview where wit is the primary survival tool in a precarious environment.
Readers should approach these tales as transcriptions of oral performances, noting the rhythmic repetition and direct dialogue that suggest a live storytelling context. The dialect may require slow reading, but the plots are straightforward and reward attention to the characters' shifting alliances. Comparing these coastal versions with Harris's interior tales reveals how geography shaped the region's folklore.
The rain slid down the windows while Buh Rabbit’s schemes unfolded in that rich, unhurried Georgia voice. Something about his patient cunning lingered, a quiet thread pulling eastward. Later, shelving damp books, my hand found a slimmer volume, its stories speaking in that older, measured cadence. The same trickster spirit, the same knowing pause. Folk-Lore and Legends: Oriental — Reading Companion felt less like a discovery, more like a familiar echo.
A brief reflection can help important ideas stay with you longer.